Meanderings of an opera obsessed mind...

It is a truth universally acknowledged that if I start sketching people/characters, it means that I've developed a new obsession.

And once again, it's true...I've succumbed to the television series Agatha Christie's Poirot.

A sketch here but not quite finished since I've found it hard to find the time to finish it. Hopefully once my essays and stuff are out of the way, I can finally finish it. Poor David Suchet's Poirot looks weird with only one eye!

phantomphan1990.deviantart.com/art/Hastings-and-Poirot-WIP-160500286

I can't sleep...AGAIN.

So what am I doing now? Well, the title pretty much says it all...as for what or who I'm drawing -- at the moment, I really have no idea.

And who knew that opera could be so funny? If you told me a year ago that opera could be comedic, I would have thought you mad. But I'm proved wrong yet again when one watches operas like Le Nozze di Figaro or Cosi and operettas like Die Fledermaus and Die lustige Witwe.

Here I am trying to sketch and listen to Mozart's Cosi fan tutte at the same time and then I get slightly bored and play my copy of the 1996 MET Cosi with TA, Mentzer, Vaness and Hadley (I'm sorry I can't remember the baritone who played Guglielmo...oops). I get to the scene where the two officers are saying farewell to their lady-loves...and I'm giggling non-stop at the the antics the singers get up to. Guglielmo is overacting his 'despair' at leaving, Hadley's body language (he plays Ferrando) clearly tells Guglielmo to get a move on and isn't too keen to deal with his hyperactive and overemotional fiancee (played wonderfully by Susanne Mentzer; definitely one of the most prettiest Cherubinos, Zerlinas and Dorabellas around. Von Stade obviously gets first place over Mentzer for singing but acting-wise, I simply adore Mentzer who is simply adorable when she gets into character). Vaness as Fiordiligi is trying her best to play older sister but also is frightened at the news of her fiancee going away to war while TA, as usual, plays Don Alfonso with all the sly cynicism and charm. What always makes me laugh is when the two couples are tearfully saying their farewells, he's more interested in pouring the sand out of his shoe (the set does indeed have sand since it's set on a pier/beach) XD

And the Allen/Vaness/Mentzer trio of Soave sia il vento is sublime...so is Francisco Araiza's Un' aura amorosa on my Cosi CD. Sometimes I really prefer Araiza to great tenors like Pavarotti or Domingo for some reason. Domingo was basically the first tenor I listened to (when I bought a highlights CD of  Bizet's Carmen during QBS...we were listening to the darn thing in music lessons for some weird reason) but I wasn't really impressed with a tenor's voice until the first time I saw Araiza sing Dalla sua pace on the 1987 Don Giovanni. I liked Jose van Dam (the Belgian bass-baritone) as Escamillo but again, my mind didn't click with baritone voices till the introduction of a particular British baritone as Count Danilo on Youtube. Really, it's all Jeremy Brett's fault for getting me into opera since it was his singing of the English translations of the songs in Die lustige Witwe that got me looking for other singers singing the same thing. XD

Ah, but I've rambled too long...back to sketching!